It has also been used in a number of films and television shows.Mike Ross is gearing up for the release of latest album The Clovis Limit Pt.2. The song has been covered by many artists, including Christina Aguilera and Gwen Stefani. It has been praised for its empowering message and catchy beat. None of Your Business is widely considered to be one of the best songs of the 1990s. The song was nominated for "Best Dance Video" and "Best Choreography" at the MTV Video Music Awards in 1995 which they lost to "Scream" by Michael Jackson and Janet Jackson. It won the Grammy Award for Best Rap Performance by a Duo or Group in 1995, thereby earning the duo its first Grammy award. The song also peaked at number one on the Hot Rap Songs chart. "None of Your Business" was a huge commercial success, peaking at number three on the Billboard Hot 100 and becoming Salt-N-Pepa's second song to reach the top ten in the United States. The video was nominated for Best Rap Video at the 1995 MTV Video Music Awards. The music video for the "None of Your Business" was directed by Hype Williams and features Salt-N-Pepa walking through a city streets and interacting with various people. Azor used a sample of the 1969 song "Tramp" by Lowell Fulsom, which gave the song its distinctive bassline. The song was originally written by Hurby "Luvbug" Azor for another artist, but when he played it for Salt-N-Pepa, they decided to record it themselves. The song is a female empowerment anthem about a woman who is tired of her man's controlling behavior and tells him that she is none of his business. It was released in 1994 as the third single from their album Very Necessary. "None of Your Business" is a song by Salt-N-Pepa, written and produced by Hurby "Luvbug" Azor. 'Cause Salt and Pepa's got it swingin' again There's only one true judge, and that's God So the moral of this story is, who are you to judge? Pep's ass gets respect, and this butt is none of your business So, yo, so, yo, ho - check it, double deck it on a record butt-naked My face ain't scarred, and I don't dance in barsīut I remember the punk who just humped and dumped you No, I ain't hard like the bitches on a boulivard 'Cause I refuse to be played like a penny cent trick deck of cards With all that macaroni trap for rap you better step If you don't like him or his friends what about that Benz? Never mind who's the guy that I took home, to bone Now every move I make somebody's clockin'ĭon't ask me nothin', will you just leave me alone? I know exactly what you say when I turn and walk awayīut that's ok 'cause I don't let it get it to me That your double-standards don't mean shit to me? How many rules am I to break before you understand Now you can get with that or you can get with thisīut I don't give a shit 'cause really it's none of your businessīamboozlin' and smackin' suckers with this track You're poppin' all that mess only to stress and to spite me So hold your tongue tightly, wish you could be like me The difference between a hooker and a ho ain't nothin' but a fee Like the house of ditty-nine-oh-two-one-oh type of the ho I never put my nose where I'm not supposed toīelieve me, if he's something that I want, I'm steppin' closer Opinion's are like assholes and everybody's got one They told me to change, they called me names, and so I popped one I used to think that it was me, but now I see it wasn't I can't do nothin', girl, without somebody buggin' So don't try to change my mind, I'll tell you one more time Now you shouldn't even get into who I'm givin' skins to If I want to take a guy home with me tonightĪnd she want to be a freak and sell it on the weekend 'Cause I'm gonna be just fine check it out
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